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Photograph by Addison Doty. Copyright 2010 School for Advanced Research.

Bolo tie

Photograph by Addison Doty. Copyright 2010 School for Advanced Research.

Bolo tie

Date: 1930s
Artist or Maker: Unknown
Dimensions:
Overall: 4 x 7.5 cm (1 9/16 x 2 15/16 in.)
Medium: mother of pearl | spiny oyster | jet | turquoise | silver | leather
Credit Line: Obtained for the collection, 1983.
Place Made:
Zuni Pueblo, McKinley County, New Mexico, Southwest, United States, North America
Object Number: SAR.1983-14-1
Not on view
DescriptionBolo tie with black braided leather cord and silver ends. Turkey Dancer with fanned headdress. Inlaid silver with light-colored turquoise and jet. Figure wears a mother of pearl and jet kilt with two strands of silver balls hanging from the waist. Turquoise moccasins and belt. The fanned headdress of jet, shell and silver dominates. Mask of spiny oyster, mother of pearl, and turquoise with narrow rectangular jet eyes.
Tribal Collection Review RemarksOctavius Seowtewa during collection review visit February 17 and 18, 2010 (Events Record “Collection Review: Zuni Tribe, Review 4”): This piece depicts a Turkey Dancer. On the back, there is an engraved name and numbers: “HildeBrand 516-30-891 ftx.” Hildebrand may have been the name of the artist, the trader who sold the piece, or possibly of an owner. This should be researched. The engraving appears to have been done with a Dremel or similar tool. The materials used in this piece are silver, turquoise, jet, mother of pearl and spiny oyster. The catalog card states that shell and coral are used, but those are the mother of pearl and the spiny oyster.

[Subsequent research by IARC staff revealed that the envgraving on the back referred to a man named Eugene Hildebrand, who died in Arizona in August 1980. The SSN on the back of the piece was his, so he must have been an owner.]
In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.