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Photograph by Addison Doty. Copyright 2011 School for Advanced Research.

Water jar

Photograph by Addison Doty. Copyright 2011 School for Advanced Research.

Water jar

Date: 1920-1930
Artist or Maker: Lucita Sanchez (ca. 1861 - before 1937)
Dimensions:
Dimensions: 24.1 × 29.2 cm (9 1/2 × 11 1/2 in.)
Weight: 1.5 kg (3.35 lb.)
Medium: clay | paints
Credit Line: Indian Arts Fund purchase for the permanent collection, 1931.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: IAF.1574
Not on view
DescriptionAcoma polychrome water jar; three-color; white slip with orange and black painted decoration. The design consists of two rows of repeating panels of un-bordered oval motifs with double dots and the ends and at the corners of the panels. The panels are lined in black. Orange base and interior rim.
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit May 22-24, 2018 (Events Record “Collection Review: Acoma Pueblo Review 11”: This jar is very light. The rim of this jar is warped. This likely occurred in during the firing process. The artist, Lucita Sanchez, is Brian Vallo’s great grandmother. No further comments were made about this jar.

According to the participants in the Acoma collection review visit February 26-27, 2019 (Events Record “Collection Review: Acoma Pueblo Review 12”): The shape of a water jar is characterized by usually having a concave base (can also have a flat base) leading to a wider body and shoulder area. The shoulder, which is typically rounded but can also be sharp, leads inward and up to the neck and opening of the water jar. Historic water jars will sometimes have an indentation from the base the pot was built on (also known as a puki).

Water jars of all sizes are made and used. Medium to small size water jars are more commonly used to carry water as the weight of a filled water jar can become quite heavy. Large sized water jars would be used for storing water. Today at Acoma, water jars are still being used and made in both traditional natural and commercial materials.

In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.