Photograph by Addison Doty. Copyright 2011 School for Advanced Research.
Water jar
Date: c. 1960
Artist or Maker: Lupe Chavez (b. 1876)
Dimensions:
Dimensions: 24.2 × 31.1 cm (9 1/2 × 12 1/4 in.)
Weight: 2 kg (4.35 lb.)
Medium: clay | paints
Credit Line: Gift of the Estate of Margretta S. Dietrich, for inclusion in the Margretta S. Dietrich Collection, 1961.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: IAF.2800
Not on view
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit J April 3-5, 2018 (Events Record “Collection Review: Acoma Pueblo Review 10”): Lupe Chavez, the artist, is Carolyn Lowden’s grandmother. This pot was fired outdoors which is evident in the burn marks left on the pot. The burn marks could be from smaller jars having been placed in the interior during the firing. There are finger prints on the interior rim. The design is well executed with even spacing and good lines. There are seven Tularosa swirls on the top and bottom. There are no line breaks on this jar.
According to the participants in the Acoma collection review visit February 26-27, 2019 (Events Record “Collection Review: Acoma Pueblo Review 12”): The shape of a water jar is characterized by usually having a concave base (can also have a flat base) leading to a wider body and shoulder area. The shoulder, which is typically rounded but can also be sharp, leads inward and up to the neck and opening of the water jar. Historic water jars will sometimes have an indentation from the base the pot was built on (also known as a puki).
Water jars of all sizes are made and used. Medium to small size water jars are more commonly used to carry water as the weight of a filled water jar can become quite heavy. Large sized water jars would be used for storing water. Today at Acoma, water jars are still being used and made in both traditional natural and commercial materials.
In Collection(s)
Bibliography:
The Pottery of Acoma Pueblo
- Pg. 409
- Fig. 25.12
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.