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Photograph by Addison Doty. Copyright 2015 School for Advanced Research.

Bowl

Photograph by Addison Doty. Copyright 2015 School for Advanced Research.

Bowl

Date: 1983
Artist or Maker: Grace Chino (1929-1994)
Dimensions:
Dimensions: 13.3 × 23 cm (5 1/4 × 9 1/16 in.)
Weight: 0.7 kg (1.55 lb.)
Medium: clay | paints
Credit Line: Gift of James Richard (Rick) Dillingham, II, 1993.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: SAR.1993-5-2
Not on view
DescriptionAcoma polychrome bowl; three-color; white slip with black and orange painted decoration. The design consists of an all over checkerboard pattern with two alternating designs; orange filled triangles and black triangles. The design is in three vertical columns and three rows wrapping around the bowl. The bowl has an inverted shoulder.
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit May 9-11, 2017 (Events Record “Collection Review: Acoma Pueblo Review 8”): The peach/pinkish tint visible on the interior is the color of the clay. It is not slipped. Sometimes this clay, which can be found at Acoma, is confused with a commercially produced clay called Storyteller Clay. The commercial clay usually has a darker pink tint when fired. There is a clay source at Acoma where this color of clay is found. This is an older source of clay and when fired, it turns this peach/pinkish color, which is different from the typical white clay that Acoma is known for. Both clay colors come from the same general area. The clay also appears to have tiny flecks of mica, which is not characteristic of Acoma clay. The participants believe Grace probably added some to the clay.

Grace Chino, the artist, used traditional materials until processing the materials became too difficult for her to do. At that point she began using commercial paints while still using traditional clays.
In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.