Photograph by Addison Doty. Copyright 2011 School for Advanced Research.
Water jar
Date: 1920-1925
Attributed to: Maria Chino (1835 - 1939)
Dimensions:
Dimensions: 20.3 × 27.9 cm (8 × 11 in.)
Weight: 1.2 kg (2.65 lb.)
Medium: clay | paints
Credit Line: Indian Arts Fund purchase for the permanent collection, 1928.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: IAF.1108
Not on view
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit November 29-30, and December 1, 2016 (Events Record “Collection Review: Acoma Pueblo Review 7”): This jar has a very even shape and shows very little wear on the rim and base. It does have water stains on the exterior in the black paint indicating it was used as a water jar but probably only for storing and not carrying water, as the outside is in good condition. There are marks on the interior from the gourd tool used to shape the jar. The neck and lower bands have seven repeating motifs and the shoulder has 18 triangles. There are no line breaks on this jar.
The participants were not sure who Maria (Antonio) Chino is. She is the artist suggested by Dwight Lanmon.
According to the participants in the Acoma collection review visit February 26-27, 2019 (Events Record “Collection Review: Acoma Pueblo Review 12”): The shape of a water jar is characterized by usually having a concave base (can also have a flat base) leading to a wider body and shoulder area. The shoulder, which is typically rounded but can also be sharp, leads inward and up to the neck and opening of the water jar. Historic water jars will sometimes have an indentation from the base the pot was built on (also known as a puki).
Water jars of all sizes are made and used. Medium to small size water jars are more commonly used to carry water as the weight of a filled water jar can become quite heavy. Large sized water jars would be used for storing water. Today at Acoma, water jars are still being used and made in both traditional natural and commercial materials.
In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.