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Photograph by Addison Doty. Copyright 2015 School for Advanced Research.

Jar, miniature

Photograph by Addison Doty. Copyright 2015 School for Advanced Research.

Jar, miniature

Date: before 2013
Artist or Maker: Dorothy Torivio
Dimensions:
Dimensions: 5.6 × 7.5 cm (2 3/16 × 2 15/16 in.)
Weight: 48.19 g (1.7 oz.)
Medium: clay | paints
Credit Line: Anonymous gift, 2013.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: SAR.2016-1-21
Not on view
DescriptionBlack-on-white miniature jar with narrow mouth. White slip with black and white diamond designs with white rectangles makings X’s in the center of the diamonds. The design is larger at the bottom and gradually gets smaller towards the rim of the jar.
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit February 17-19, 2016 (Events Record “Collection Review: Acoma Pueblo Review 5”): The artist, Dorothy Torivio, is LillySalvador’s sister-in-law (her cousin’s wife). She is now deceased. She is known for pieces with this style of design and form. The black paint used on this miniature is commercial. The clay and white slip are traditional and the piece was handmade.

According to the participants in the Acoma collection review visit February 26-27, 2019 (Events Record “Collection Review: Acoma Pueblo Review 12”): Miniatures came into production primarily as a tourist trade item. With the arrival of modern transportation, such as the train and automobiles, potters began to create smaller pieces that appealed to tourists and were more manageable to travel with, were easy to make, and sold well.

As miniatures have less space for decoration, they often have simple designs. Beginner potters will often start by creating these types of simply designed miniatures. There are potters that create miniatures with very intricate, detailed designs which show their skill level as an artist, as it requires more patience and steady hands.

With the introduction of commercial products beginning in the 1970s, miniatures, like all forms, were also made with commercial clays (either handmade or cast slip). Today at Acoma, potters of all skill levels still make and paint miniatures using both traditional natural materials and commercial materials.
In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.