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Photograph by Addison Doty. Copyright 2014 School for Advanced Research.

Seed jar

Photograph by Addison Doty. Copyright 2014 School for Advanced Research.

Seed jar

Date: 1920-1940
Artist or Maker: Unknown
Dimensions:
Dimensions: 14.9 × 24.8 cm (5 7/8 × 9 3/4 in.)
Weight: 1 kg (2.3 lb.)
Medium: clay | paints
Credit Line: Gift of Amelia Elizabeth White, 1959.
Place Made:
Valencia County, New Mexico, Southwest, United States, North America
Object Number: IAF.2776
Not on view
DescriptionAcoma polychrome seed jar; four-color; white slip with black, orange and red painted decoration. The designs consist of two bands of design, the neck and the body. The neck band has six orange birds and the body has four angular geometric motifs. Red underbody with fire-clouds, concave base. Flat upper shoulder.
Tribal Collection Review RemarksAccording to the participants in the Acoma collection review visit June 26-27, 2017 (Events Record “Collection Review: Acoma Pueblo Review 9”): There are four panels of design around the body. The birds on the shoulder of the jar are roadrunners. The tail feathers of the birds are more characteristic of roadrunners.

According to the participants in the Acoma collection review visit February 26-27, 2019 (Events Record “Collection Review: Acoma Pueblo Review 12”): Seed jars are used for storing items like seeds, vegetables, and fruits, or smaller items such as beans, plants and pine nuts. They were often sealed to preserve what they were storing. Seed jar forms are still being made and used today at Acoma. They are characterized by having a flatter shoulder area coming to a circular opening at the center. Like all forms being produced today, they are produced and painted with both traditional natural and commercial materials. Older seed jar forms tend to have a lower half that looks similar to a water jar or bowl shape. More recent seed jar forms tend to be spherical or saucer like in shape and medium to small in size.
In Collection(s)
The Indian Arts Research Center, in collaboration with Native American community scholars, strives to present accurate collections records. Records may be updated as new information becomes available and is reviewed with the Native American community having cultural affinity to particular items. Please write to iarc@sarsf.org if you have questions or concerns related to the documentation.